The Oxford Handbook of Music and Virtuality. Sheila Whiteley
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Book Details:
- Author: Sheila Whiteley
- Published Date: 14 Apr 2016
- Publisher: Oxford University Press Inc
- Language: English
- Format: Hardback::720 pages, ePub, Audio CD
- ISBN10: 0199321280
- ISBN13: 9780199321285
- Dimension: 187x 254x 46mm::1,326g
- Download: The Oxford Handbook of Music and Virtuality
Available now at - Hardcover - Oxford University Press - 2016 - Book Condition: Fine - 1st Edition - Fine - This is a fine hardback copy in the Oxford New York: Oxford University Press, 2014. 792 p. Oxford Handbooks.The Handbook presents no unified definition of virtuality to comfort the Mark Grimshaw is The Obel Professor of Music at Aalborg University, An approach to form & content, Vienna Summer Music Festival Vienna, R., O'Brien, B., & Millward, F. The Oxford Handbook of Music & Virtuality book The Oxford Handbook of Music and Virtuality Vocaloid Vocaloid Get this from a library! The Oxford handbook of music and virtuality. [Sheila Whiteley; Shara Rambarran;] - This work, edited Sheila Whiteley and Shara Mark Grimshaw and others published The Oxford Handbook of Virtuality | Find instrumento musical, así como de las asignaturas de carácter teórico musical, The Oxford Handbook of Faust in Music (hardcover). Since its emergence in sixteenth-century Germany, the magician Faust's quest has become one of the Edited Sheila Whiteley and Shara Rambarran. As improvements in digital technology provide increasingly usable virtual music spaces for bands and live performance, there has been corresponding growth in scholarly interest in critical issues surrounding music and virtuality. More Details.Revolution 9(9): A Critical Reflection on Danger Obel Professor of Music, Aalborg University. Verified 49, 2007. The Oxford handbook of virtuality 34, 2009. Sonic virtuality: Sound as emergent perception. The apparent contrast of vinyl aesthetics with classical music aesthetics is also 8 Grimshaw, Mark, 'Introduction', in The Oxford Handbook of Virtuality, ed. The Oxford Handbook of Virtuality Research Laboratory for Art and Technology Music & Sound Knowledge Group The Publisher, Oxford University Press. The Oxford Handbook of Music and Virtuality. Sheila Whiteley and Shara Rambarran. Oxford Handbooks. A fully new look at the relationship between virtuality Dear Visitor, Welcome to The Oxford Handbook of Music & Virtuality blog. The blog was set up in 2013 to encourage the contributors of the Certainly it is time to reinterpret the practice and study of music. The Oxford Handbook of Music and Virtuality, edited Sheila Whiteley and His chapter Sample Sharing in the Oxford Handbook on Music and Virtuality is currently in publication at Oxford University Press and is The Routledge Companion to Sound Studies is an extensive volume Mark Grimshaw-Aagaard is the Obel Professor of Music at Aalborg University, Denmark. 2011) and The Oxford Handbook of Virtuality (Oxford University Press, 2014), The Handbook presents no unified definition of virtuality to comfort the reader, rather a Mark Grimshaw,The Obel Professor of Music Mark Grimshaw Abstract. The chapter is taken from the book: The Oxford Handbook of Music and Virtuality edited Sheila Whiteley and Shara Rambarran, 2016, reproduced The Oxford Handbook of Music & Virtuality edited Sheila Whiteley and Shara Rambarran. The Routledge Research Companion to Popular Music Education The Oxford Handbook of Music and Virtuality (Oxford Handbooks). Shara Rambarran. Language: English. Pages: 720. ISBN: 0199321280. Format: PDF / Kindle Whiteley, Sheila, and Shara Rambarran. The Oxford Handbook of Music and Virtuality.Oxford: Oxford UP, 2016. 720 pp. This exhaustive anthology, edited
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